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13
发表于 2005-10-4 02:07:00 | 只看该作者
 
12
 楼主| 发表于 2005-10-4 02:06:00 | 只看该作者
 
11
 楼主| 发表于 2005-10-4 02:06:00 | 只看该作者
 
<><FONT face=Verdana size=4>Alicia Amatriain <BR></FONT><FONT face=Verdana size=2>b. 1981 <BR>Stuttgart Ballet <BR></FONT><BR><FONT size=2><FONT face=Verdana>Alicia Amatriain was born in San Sebastian, Spain, where she received her first ballet training and subsequently attended the John Cranko School in Stuttgart. During her time at the John Cranko School in Stuttgart, Alicia Amatriain danced in ballets such as <EM>In and Out</EM> (Hans van Manen), <EM>Triptychon</EM> (Ranato Zanella), the <EM>Blue Bird Pas de deux of Sleeping Beauty</EM> (Marcia Haydée), <EM>La Bayadère</EM> (Marius Petipa) and also the role of Blanche in <EM>ineapple Poll</EM> (John Cranko). She joined the Stuttgart Ballet as an apprentice in 1998, was taken into the Corps de ballet in 1999. She was promoted to Demi Soloist in 2000 and to Principal Dancer in 2002. <BR><BR>In 2002 Alicia Amatriain made her debut as Tatiana in John Crankos <EM>Onegin</EM> and as Queen Isabella in David Bintley's <EM>Edward II</EM>. She has also danced the following solo roles: Terpsichore in <EM>Apollo</EM>, the first and second movement of <EM>Symphony in C</EM> (George Balanchine), the novice in <EM>The Cage</EM> (Jerome Robbins), Manon and Olympia in <EM>The Lady of the Camellias</EM> (John Neumeier) as well as Blanche in <EM>ineapple Poll</EM> (John Cranko) and Hermia in <EM>A Midsummer Night's Dream</EM> (Jean Christophe Blavier). Alicia Amatriain has also danced several Corps de ballet and solo roles in John Cranko's <EM>Initials R.M.B.E.</EM>, <EM>The Taming of the Shrew</EM> and <EM>Romeo and Juliet</EM>, in Uwe Scholz' <EM>The Firebird</EM> and <EM>Seventh Symphony</EM>, in <EM>Giselle</EM> created by Reid Anderson and Valentina Savina, Kazimir's Colours of Mauro Bigonzetti, <EM>Theme and Variations</EM> of George Balanchine, <EM>Don Quixote</EM> of Maximiliano Guerra as well as in John Neumeier`s <EM>Now and Then</EM>, in Jerome Robbins <EM>The Concert</EM> and in William Forsythe&acute;s Urlicht and <EM>In The Middle, Somewhat Elevated</EM>. In November 2002, she made her début as Role in Pink in <EM>Dances at a Gathering</EM> (Jerome Robbins) and one month later as Odette/ Odile in John Cranko's <EM>Swan Lake</EM>. In spring 2003, Alicia Amatriain made her debut as Juliet in John Cranko&acute;s <EM>Romeo and Juliet</EM>. The following choreographers have created a role especially for her: Jean Christophe Blavier in <EM>E=mc&sup2;</EM>,the Canadian choreographer Dominique Dumais in <EM>still.nest</EM>, Stuttgart Ballet's resident choreographer Christian Spuck in <EM>Songs and nocturne</EM> as well as Itzik Galili in his <EM>Pas de deux Mono Lisa</EM> and Wayne McGregor in <EM>Nautilus</EM></FONT></FONT></P>
<P><EM><FONT face=Verdana size=2></FONT></EM></P>
10
 楼主| 发表于 2005-10-4 02:05:00 | 只看该作者
 
9
 楼主| 发表于 2005-10-4 02:05:00 | 只看该作者
 
8
 楼主| 发表于 2005-10-4 02:04:00 | 只看该作者
 
<><FONT face=Verdana size=4>Maria Allash <BR></FONT><FONT face=Verdana size=2>b. 1976 <BR>Bolshoi Ballet </FONT></P>
<><FONT face=Verdana size=2>Maria Allash was born in Moscow in 1976. She started her studies at the Moscow Academic Choreography College in 1986. Graduated in 1994 under Sofia Golovkina. She joined the Bolshoi Theatre Ballet Company, where she worked under the guidance of Rimma Karelskaya, attended the master-classes of </FONT><a href="http://www.ballerinagallery.com/semyonov.htm" target="_blank" ><FONT face=Verdana size=2>Marina Semyonova</FONT></A><FONT face=Verdana size=2>, Svetlana Adyrkhaeva, and now works with </FONT><a href="http://www.ballerinagallery.com/golikova.htm" target="_blank" ><FONT face=Verdana size=2>Tatiana Golikova</FONT></A><FONT face=Verdana size=2>. Maria Allash goes on numerous tours both at home and abroad, has a wide concert classical, miniature and modern repertoire. In 2002 she was awarded the rank of Honoured Artist of Russia.<BR><BR>Repertoire includes:<BR><EM>Don Quixote</EM> Street Danceress and Queen of Dryads, <EM>La Bayadere</EM> Gamzatti, <EM>The Legend of Love</EM> Mekhmene Banu, <EM>The Sleeping Beauty</EM> Fairy of Lilac, <EM>Swan Lake</EM> Spanish and Hungarian Brides, <EM>Giselle</EM> Myrtha, <EM>Chopiniana</EM> Pas de deux de classic, <EM>Spartacus</EM> Aegina, <EM>The Dying Swan</EM>, <EM>Raymonda</EM> title role, <EM>Lea</EM> title role, <EM>Swan Lake</EM> Odette-Odile, <EM>Concherto barocco</EM> The soloist. </FONT><BR><BR></P>
7
 楼主| 发表于 2005-10-4 02:03:00 | 只看该作者
 
6
 楼主| 发表于 2005-10-4 02:03:00 | 只看该作者
 
5
 楼主| 发表于 2005-10-4 02:02:00 | 只看该作者
 
<><FONT face=Verdana size=4>Anneli Alhanko <BR></FONT><FONT face=Verdana size=2>b. 1954 <BR>Royal Swedish Ballet </FONT></P>
<><FONT face=Verdana size=2>Anneli Alhanko was born in 1954. She studied with the Swedish Opera Ballet School from 1963 to 1971. Coached by Margaretha von Bahr. She was the first Swedish dancer to participate at the Varna competition in 1971. Joined the Royal Swedish Ballet in 1971. Her first big role was Paquita in first year with RSB. Appointed soloist in 1973 (and in 1990 the first to be given the title Court Dancer by the Swedish king). Danced Giselle as guest with the Kirov Ballet in 1975. In the 80's she did several tours to Leningrad, Moscow and other Russian cities. In 1984 </FONT><a href="http://www.ballerinagallery.com/ulanova.htm" target="_blank" ><FONT face=Verdana size=2>Galina Ulanova</FONT></A><FONT face=Verdana size=2> coached her to dance Giselle at the Bolshoi.<BR><BR>Some of her leading roles with the RSB were in:<BR>Nureyev's staging of the <EM>Nutcracker</EM> (1971), MacMillian's <EM>Romeo and Juliet</EM> (1973), <EM>Sleeping Beauty</EM> (1974), Cullberg's <EM>Miss Julie</EM> (1977), Cranko's <EM>Taming of the shrew</EM> (1978), <EM>Coppelia</EM> (1980), <EM>Manon</EM> (1980), Beryl Grey's staging of <EM>Sleeping Beauty</EM> (1985), Natalia Makarova's staging of <EM>La Bayadere</EM> (1989), Cranko's <EM>Onegin</EM> (1990), Neumeier's <EM>A Midsummer Nights Dream</EM> (1990).</FONT><BR></P>
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 楼主| 发表于 2005-10-4 02:01:00 | 只看该作者
 
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